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水墨山水 Prompt：留白、远近、笔触的精准控制

12 个水墨山水 Prompt——控留白、远中近层次、笔触质感、立轴构图，避免模型输出彩色 chinoiserie。

发布于: 作者: AI Productivity Guide Team 🌐 查看英文版本

水墨山水靠两件事——大面积留白与书法笔触——而这两点扩散模型最容易忘。没有它们，“中国风山水”出来就是花花绿绿的 chinoiserie，体裁完全跑偏。下面这些 Prompt 把”立轴构图、宣纸质感、留白为主”显式写进去，让结果是墨而不是被风格化的彩。需要配套音频可看Suno 中国风工作流。

这套 Prompt 适合用在哪

  • 中国文化主题书封 / 编辑插画
  • 茶、香、非遗品牌视觉
  • 立屏 / 长图社交内容，立轴构图天然契合
  • 文化展览物料，需要真实墨语言
  • 武侠 / 仙侠小说封面，不止于奇幻插画
  • 旅行 / 慢生活品牌引用古典山水

1. 云雾远山（宋画影响）

traditional Chinese ink landscape, misty distant mountains in pale wash, foreground pine tree with calligraphic brush strokes, middle-ground hidden, rice paper texture, generous negative space (top half mostly empty), vertical scroll composition, Song dynasty landscape influence, monochrome ink, no color

2. 江舟孤影

minimal Chinese ink wash, lone boat on a wide river, single fisherman silhouette, soft fog dissolving the far shore, mountains barely visible in distance, sumi-e style, mostly negative space (80% empty), vertical composition, monochrome

3. 竹林点景

Chinese ink painting, dense bamboo grove on the right third, varied stroke thickness, subtle gradient wash, single small scholar figure for scale at the bottom, vertical scroll feel, generous empty sky on the left, monochrome ink only

4. 一枝梅（花鸟跨界）

ink painting of a single plum branch entering from the upper right corner, sparse blossoms in pale gray wash, large empty space below, calligraphic seal and red signature stamp in the lower left, rice paper texture, monochrome with one accent of red only on the seal

5. 三远法层次

Chinese ink landscape with explicit three-plane composition:
- Far: pale mountain silhouettes barely visible
- Middle: a single mist band dissolving form
- Near: detailed pine and rock in confident strokes

70% negative space, vertical scroll, monochrome ink, rice paper texture, no color

6. 风雨悬崖

dramatic Chinese ink landscape, sheer cliff face on the left, dark heavy ink with wet-on-wet bleeding, wind-bent pine clinging to rock, swirling mist below, distant peaks lost in storm, vertical composition, mostly dark ink with negative space cutting through, no color

7. 山中茶亭

Chinese ink landscape, small thatched pavilion nestled among trees mid-canvas, narrow path winding down to a stream, far peaks in pale wash, two tiny figures at the pavilion for scale, restrained brushwork, monochrome ink, vertical scroll, generous sky

8. 武侠剧照色调

Chinese ink landscape with cinematic wuxia framing, lone swordsman silhouette on a high cliff, dramatic backlight through mist, jagged peaks fading into distance, calligraphic brush, monochrome ink with subtle dark-teal undertone only, vertical composition, room for vertical title text on the right

9. 四时一组

Set of 4 Chinese ink landscapes for {spring / summer / autumn / winter}. Each:
- Same vertical scroll composition
- Same brush language and rice paper texture
- Season cue: spring = plum bloom; summer = lotus pond; autumn = bare branches + crane; winter = snow-cloaked pine
- Monochrome ink, one consistent red seal in lower-left of each

10. 现代编辑横版

Chinese ink landscape adapted for horizontal editorial use, wide aspect ratio, mountains stretching left to right, mist dissolving the middle, single boat on the lower right, calligraphic strokes, mostly negative space in the upper half for headline placement, monochrome, rice paper texture, designed for magazine spread

11. 方版社交构图

Chinese ink landscape, 1:1 square composition, single distant peak centered with mist below, generous negative space, calligraphic seal stamp in lower-right corner only, monochrome, rice paper texture, designed for social-post share — title overlays cleanly on the upper third

12. 立轴书封带题字位

Chinese ink landscape book cover, vertical 2:3 ratio, scroll composition, single tall mountain silhouette on the right, mist and empty sky on the upper-left two thirds reserved for vertical title in classical font, foreground pine + small figure for scale on the lower right, monochrome ink, one red seal accent only

怎么调

用竖向比例（--ar 2:3 或 9:16）——横向比例和立轴语言打架。负向词加狠：--no color, --no photoreal, --no saturation, --no chinoiserie，防止暖色和装饰纹样溜进墨里。若颜色仍漏出，把 prompt 里的 “painting” 弱化，“ink wash” 与 “sumi-e” 加重。

容易踩的坑

  • 彩色泄漏——不加负向词，模型默认会偷偷加暖色调
  • 没留白——画面拥挤，水墨语言靠”空”来组织构图
  • 写实纹理混入（草叶、釉面石、树上单片叶子）
  • 横版构图——经典形式是立轴
  • 装饰性 chinoiserie 纹样（云纹、龙纹）顶替了真实山水语言
  • 忘了印——一枚红色印章是”这是真墨画”最强信号

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标签: #国风

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